Kimbell Renzo Piano Pavilion


Censer Stand with the Head of a Supernatural Being

Censer Stand with the Head of a Supernatural Being with a Kan Cross
Maya, Palenque, Chiapas, Mexico Late Classic period, c. A.D. 690 - 720
Ceramic with traces of pigments
44 7/8 x 21 1/2 x 11 1/2 inches (113.98 x 54.61 x 29.21 cm)
Kimbell Art Museum, Fort Worth, AP 2013.02

Kimbell Art Museum - Lives of the Gods: Divinity in Maya Art

Exhibition on Display: May 7, 2023 - September 3, 2023

On May 7, 2023, the Kimbell Art Museum will present Lives of the Gods: Divinity in Maya Art, a monumental and acclaimed exhibition that will bring together nearly 100 rarely seen masterpieces and recent discoveries in Maya art - one of the greatest artistic traditions of the ancient Americas. Created by masters of the Classic period (A.D. 250 - 900) in the spectacular royal cities in the tropical forests of what is now Guatemala, Honduras and Mexico, these landmark works evoke a world in which the divine, human and natural realms are interrelated and intertwined. Presented across diverse media that depict episodes in the life cycle of the gods, the exhibition offers compelling reflections on representations of the divine and new understandings of Maya creative practices and the artist's role in Maya society. Lenders include major museum collections in Europe, the United States and Latin America, with many works on view for the first time in the U.S., including new discoveries from Palenque (Mexico) and El Zotz (Guatemala).

Maya mythology is rich and complex - to date, its cast of divine protagonists, as represented through dense iconography, has not been the focus of an exhibition. For the ancient Maya, gods were born, lived as infants, reached their peak of maturity and influence, aged and ultimately perished, some to be born anew. This exhibition examines depictions of deities and unpacks the complex imagery that revealed such godly identities and divine aspects.

"Lives of the Gods offers an unprecedented view into the world of the ancient Maya and an exciting opportunity to expand our understanding and appreciation of Maya art. These impressive loans from our esteemed collaborators from Mexico, Guatemala and international museums showcase the awe-inspiring world where the earthly and divine intersect in powerful statements about the universal order," said Eric M. Lee, director of the Kimbell Art Museum. "We are delighted that the Kimbell will once again present a seminal exhibition of Maya art - especially during the museum's 50th anniversary year."

Maya artists gave form to the gods in remarkably imaginative ways, through works of astonishing visual complexity and aesthetic refinement. Exquisitely carved sculptures were believed to embody divine power and presence; skillfully carved ornaments of jadeite, shell and obsidian once adorned kings and queens, symbolically connecting them to supernatural forces; and finely painted ceramics reveal the eventful lives of the gods in rich detail.

Notably, Lives of the Gods brings to the forefront new discoveries and understandings of Maya culture. Recent advances in the study of Maya hieroglyphs have made it possible to identify the names of dozens of artists from the Classic period, and this marks the first time in a major exhibition that any of their names will be identified on the accompanying exhibition labels. While artist signatures are scarce on ancient art across the world, Maya sculptors and painters did sign their works, sometimes prominently, on beautifully carved stone monuments and delicately ornamented vessels. Lives of the Gods will include four works by named individuals, as well as several examples attributed to Maya painters.

"One of the fascinating things about this exhibition is the number of works with artist's signatures or attributions - a visual record indicating that Maya artists and scribes were held in high esteem and recognized as important in their own time," said Jennifer Casler Price, curator of Asian, African and Ancient American art at the Kimbell.

"Also, to have an exhibition where nearly half of the works have never been exhibited in the United States is truly astounding. This is a unique opportunity to not only see, but to discover several iconic works of Maya art, such as the massive carved limestone Stela 51 from Calakmul, Mexico, but to discover recently excavated works as well, like the set of five beguiling, ceramic lidded bowls adorned with animal heads from El Zotz in Guatemala."

Additionally, Lives of the Gods highlights recent achievements in the conservation and preservation of key artworks, including the impressive Throne 1 from Piedras Negras. Through a collaboration among conservators at The Metropolitan Museum of Art, the government of Guatemala and other scholars, the throne underwent a thorough technical examination to understand the residual pigments on the throne and determine the nature and origin of the stone from which it was carved. Conservation treatment stabilized structural issues of the fragmentary object, which had been deliberately destroyed in antiquity and reassembled after excavation in the 1930s. A new steel mount was created to support the throne during the exhibition as well as in earthquake-prone Guatemala to address the long-term preservation of the object. The reversible mounting technique used in the support structure provided an opportunity to correct the orientation of the throne's legs, which recent epigraphic research had revealed were in reverse order.

The exhibition is organized thematically, following the arc of the lives of the gods and their place within a cosmological framework. The first section of the exhibition, "Creations," will present mythical episodes related to the origin of the world. On August 11, 3114 B.C., before the advent of cities and writing in this part of the world, inscriptions tell us that the deities "were set in order," and the gods placed stones in mythical locations. Maya kings replicated these divine actions at celebrations marking the ends of calendrical periods, each calculated at regular intervals from 3114 B.C. Featured here will be the Kimbell's pair of elaborate censer stands (ca. 690 - 720, probably from Palenque), adorned with stacked masks that portray gods with both human and animal elements. During religious rituals, gods rested on these stands, which were thought of as their embodiments.

"Day" will explore the balance between the gods of the day, such as the Sun God K'inich, and the nocturnal gods like the Jaguar God in the section "Night," to follow. The sun was associated with life-giving forces, and rulers who identified closely with this power would often add the title K'inich to their name. Many deceased kings were portrayed as glorious new suns rising in the sky, overseeing their successors' performance of royal duties. Equally imposing and dignified, Maya artists created imaginative and terrifying images of nocturnal deities. Jaguars - who figure prominently in imagery of the night gods - are powerful nighttime hunters in the Maya area, and therefore jaguar gods and goddesses all displayed an aggressive, warlike personality. There were also beautiful and often suggestive nocturnal deities such as the Moon Goddess, who was sometimes identified in texts as the sun's wife or mother, represented in various narratives on vessels throughout this section.

The "Rain" section will feature depictions of two important and interrelated gods - the powerful rain god, Chahk, and the god of lightning, fertility and abundance, K'awiil. Rain gods were venerated throughout the Maya region, and acts of appeasement to them were, and still are, critical for the well-being of communities. A highlight will be a tripod plate (7th - 8th century) that depicts Chahk waist-high in water, with the Maize God emerging from a waterlily in the depths below and celestial beings hovering above him.

The section on "Maize" chronicles this god's life, death and rebirth through an assemblage of stunning and inventive masterpieces. The Maize God represented the beauty of the Maya staple crop and is often depicted by Maya artists as an eternally youthful, graceful being. The Maize God was also associated with two of the most valuable items in ancient Maya economies - jade and cacao. Episodes from the Maize God's mythical saga appear on some of the ancient Americas' finest ceramic vessels.

"Knowledge" will delve into the work of the scribes, who spent long years learning the intricacies of Maya writing and employed hundreds of signs in varied combinations, which can be seen throughout the exhibition - including on an exquisite vessel depicting two scenes of an old god instructing young pupils from the Kimbell. Only four of the books created in the pre-Hispanic period have endured to the present day, but texts that survive on relief sculptures and delicately painted ceramics provide a resource for understanding Classic Maya alliances, conquests and spiritual beliefs.

The final section, on "Patron Gods," will include a striking series of works depicting kings and queens taking on various aspects and attributes of the gods. Maya artists created monumental sculptures to celebrate events and depict the perceived connection between rulers and the gods. Freestanding slabs known as stelae stood in the large plazas of Maya cities, and some of these sculptures bear the signatures of sculptors. Also on display will be a remarkable lintel - a horizontal support spanning a doorway - made of zapote wood. There are few Maya works carved in wood in antiquity that survive to the present day, and this lintel represents a celebration in the wake of the victory of Tikal (and its king Yihk'in Chan K'awiil) over rival Naranjo.

The extraordinarily rich array of exceptional sculptures, vessels and precious ornaments in the exhibition demonstrate the intimate relationship between Maya royalty and the gods, underscore the role of religion in the establishment and maintenance of Maya political authority and are a testament to the imaginative and technical virtuosity of Maya artists.

Lives of the Gods continues the Kimbell's dedication to collecting and exhibiting objects that tell the stories of cultures from around the world. The exhibition follows the Kimbell's history of important presentations of ancient American art, including The Blood of Kings: A New Interpretation of Maya Art (1986), Fiery Pool: The Maya and the Mythic Sea (2010 - 11), and Wari: Lords of the Ancient Andes (2013). Additionally, four objects from the museum's permanent collection - a pair of impressive censers stands and two intricately painted vessels - are part of this landmark exhibition.

Lives of the Gods is a partnership between the Kimbell Art Museum and The Metropolitan Museum of Art, where the exhibition is on view through April 2, 2023. The Kimbell hosts the second and final presentation of this landmark exhibition during its 50th anniversary year of celebration.


About the Collection

About the Collection

The Kimbell's permanent collection is small in size, comprising fewer than 350 works of art, and is distinguished by an extraordinary level of artistic quality and importance. The idea of building a choice collection of representative masterpieces was established by the Board of Directors of the Kimbell Art Foundation in consultation with Museum's first director, Richard F. (Ric) Brown, in a Policy Statement of June 1, 1966:

The dominating principle involved in the acquisition process is that the stature of the Museum depends more upon the quality of the definitive objects that it contains than on the historical completeness of its collections. A prospective addition to the collections, therefore, is to be judged from the standpoint of aesthetic quality and typicality, and whether it defines a master, period, school, style, or area. The goal shall be definitive excellence, not size of collection.

Leaving to older and larger institutions the role of collecting broadly and in depth, the Kimbell has continued to pursue quality over quantity. Its holdings range from the third millennium B.C. to the mid-20th century and include major works by Duccio, Fra Angelico, Caravaggio, Poussin, Velázquez, Bernini, Rembrandt, Goya, Monet, Cézanne, Picasso, Mondrian, and Matisse. The collection comprises Asian and non-Western as well as European art, and extends only to the mid-20th century in recognition that this is where the collection of the Modern Art Museum of Fort Worth begins, and omits American art since this is the focus of another neighboring institution, the Amon Carter Museum.

The Kimbell's select holdings of antiquities range from the Egyptian Old Kingdom of the third millennium B.C. through ancient Assyria, Greece, and Rome, and to the Early Christian Church in the fifth century.

European Art
The collection of European paintings and sculpture is remarkably rich in works of the Italian Renaissance, although its fullest and most celebrated holdings are in Italian, French, Spanish, Dutch, and Flemish works of the 17th century.

Asian Art
The Asian collection comprises sculptures, paintings, bronzes, ceramics, and works of decorative art from China, Korea, Japan, India, Nepal, Tibet, Cambodia, and Thailand.

Precolumbian Art
Precolumbian art is represented by Maya works in ceramic, stone, shell, and jade; Olmec, Zapotec, and Aztec sculpture; and pieces from the Conte and Wari cultures.

African and Oceanic Art
The African collection consists primarily of bronze, wood, and terracotta sculpture from West and Central Africa, including examples from Nigeria, Angola, and the Democratic Republic of the Congo, and Oceanic art is represented by a Maori figure.


About The Kimbell Art Museum

The Kimbell Art Museum, owned and operated by the Kimbell Art Foundation, is internationally renowned for both its collections and for its architecture. The Kimbell's collections range in period from antiquity to the 20th century and include European masterpieces by artists such as Fra Angelico, Michelangelo, Caravaggio, Poussin, Velázquez, Monet, Picasso and Matisse; important collections of Egyptian and classical antiquities; and Asian, Mesoamerican and African art.

The Museum's building, designed by the American architect Louis I. Kahn, is widely regarded as one of the outstanding architectural achievements of the modern era. A second building, designed by world-renowned Italian architect Renzo Piano, is scheduled to open November 27, 2013, and will provide space for special exhibitions, allowing the Kahn building to showcase the permanent collection.

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